Summary
of William Butler Yeats “Three Pieces on the Creative Process”
“Three pieces on the Creative Process” is
William Butler Yeats descriptions that speak to inspiration and creative thought. Yeats write that good art inspires us
physically (106). It can take us to some
other place and time where we are beyond what we are. Great art encourages us to “touch and taste
and hear and see the world” while taking us away from its mechanics (107). He also notes that art transcends social
constructs by having a morality that is personal (107).
Yeats writes that he found himself
uninspired and he questioned if he had grown to old for poetry or if his
subconscious had shut down. Yeats writes
his journey was considerable mostly because he had asked a friend for an
opinion (107). Yeats writes the friend
would not speak to it and appeared to be cynical as the great works had been
compromised and corrupted (107-108). He
finally read Yeats’s work and called it “putrid” (108). Yeats’s found himself taking his poetry to
other sources and discovered he was shopping for affirmations that met his own
desire (108).
The third part of Yeats’s essay is the
“Long-Legged Fly” (109). The poem speaks
to the great figures of time including Ceaser, Helen of Troy, and Michael
Angelo (109). All three are described
during a contemplative phase of their life or work (109). All of them are metaphorically related to a
“long-legged fly upon the stream” and their “mind moves upon silence”
(109).
Works Cited
Yeats, William Butler. “Three Pieces on
the Creative Process.” The Creative Process: A Symposium.
Ed. Brewster
Ghislen. Berkeley: University of California Press. 1985. 106-109. Print.
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