History of Art –
Chapter 1
Prehistoric Art
1.
Prehistoric Art
a.
Dates to when Homo Sapiens moved out of Africa.
b.
Neurological changes led to abstract through and
symbolic language.
c.
Raises the question; Why make art?
2.
Paleolithic Art (upper)
a.
10,000 – 40,000 Years ago.
b.
Eurasia, Africa and Australia.
c.
End of the most recent ice age. It aligns with Homo Sapiens movement out of
Africa and into Europe.
d.
Altamira Spain, 1878. First discovered of cave art.
e.
Cave art was composed from memory.
i. Demonstrates
skill with crafting images from memory.
f.
The animals are depicted as they act in nature,
but not how they appear in nature.
i. The
images are composites. They have the
elements of the animals, but not as one would naturally see them.
3.
Interpretation of Prehistoric Paintings.
a.
The act of painting may have had ritualistic
purposes.
b.
Ethnographers attribute the inspiration to
magic-religious purposes.
c.
Early images may have been equivalent of what
they represented.
i. To
exert power over the subject.
d.
Shamanism:
The belief in parallel worlds accessed through alternative states of
consciousness.
e.
Power over animals may explain the lack of forma
detail of humans.
f.
The art correlates between the images and the
contours of the caves.
i. The
caves are physically part of the imagery.
ii. There
is also a physical context as some of the caves are up to 1.5 miles deep.
1.
There would have been an experience from just
the traveling by torchlight. It would
have impacted the viewing experience.
4.
Paleolithic Carving.
a.
Sculptures may have functioned much like cave
paintings.
b.
3rd Millennium B.C.E: Cultures
started using metals.
c.
Women are frequently depicted in sculpture.
i. They
tend to be more abstract than animals.
ii. They
were possibly fertility figures in nature.
1.
Facial features appear to be secondary with
emphasis on the genitals.
5.
Telling Time – Labeling Periods.
a.
Tool making provides insights to different human
eras.
b.
Objects before the written work are considered
prehistoric.
i. Patterns
are used to distinguish different cultures.
c.
Ages:
i. Lower
Paleolithic: 2,000,000 – 100,000
B.C.E
ii. Middle
Paleolithic: 100,000 – 40,000 B.C.E.
iii. Upper
Paleolithic: 40,000 – 10,000 B.C.E.
1.
Aurignacian
34,000 – 23,000 B.C.E.
2.
Gravettian 28,000
– 22,000 B.C.E
3.
Magdelenian 18,000
– 10,000 B.C.E.
iv. Mesolithic: 10,000 – 8,000 B.C.E.
v. Neolithic: 8,000 – 2,000 B.C.E.
6.
Neolithic Art:
a.
10,000 B.C.E. the climate warmed and the ice
melted.
b.
Change in landscapes, animal populations and
human habitats.
c.
There were more fixed settlements, and less
seasonal travel.
d.
There was change from hunter/gatherer to
domestication and farming.
e.
Earliest Neolithic art occurred in the 9th
millennium near Jericho.
i. Included
representations of ancestors or mythical functions.
ii. Ancestors
were buried under the houses.
f.
Oven fired pottery:
i. Beginnings
of specialization; pottery, weaving and smelting.
ii. First
clay fired sculptures in 3,500 B.C.E.
g.
Architecture in Europe.
i. Monumental
Architecture – Developed mostly from ceremonial burials and rituals.
ii. Megalith:
Spaces for tombs and rituals with huge blocks of stone.
1.
Stonehenge is a circular megalith.
2.
Suggests the passage of time, calendar or other
measure to track the sun’s movements.
7.
Summary of ages:
a.
38,000 B.C.E.: Humans
produce earliest forms of art.
b.
32,000 B.C.E.: Oldest
known cave paintings.
c.
10,000 B.C.E.: Earth’s climate changes.
d.
5,000 B.C.E.: First
appearance of pottery in Mesopotamia.
e.
3,500 B.C.E.: Pottery
in Western Europe.
Davies, Penelope J.E., Walter B. Denny, Frima Fox
Hofrichter, Joseph Jacobs, Ann M. Roberts, and David L. Simon. Janson’s History
of Art: the Western Tradition. 8th
ed. Upper Saddle River: Prentice Hall. 2011. Print.
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