Star Trek through Rubin
Conventional
wisdom holds that intermediate solutions, or compromises, are naturally present
when issues are highly polarized. This
notion presupposes the existence of intermediate solutions and that the
opposing ideologies are accurate and equally distanced from the center. As portrayed in Star Trek: The Next Generation “Up the Long Ladder,” compromising
in the center is not always an option.
The crew of the starship Enterprise encounters two isolated
civilizations, both with small populations and close to extinction. Human sexuality is the theme of the episode.
Gayle Rubin’s “Thinking Sex: Notes for a Radical Theory of Politics of
Sexuality” illustrates disparities of the two societies. More specifically, Rubin’s work will describe
how sexual practices are the result of social codes, how the formation of
sexual hierarchies form and amplify differences, and why the final solution is
not viable.
The
Bringloidi and Mariposa colonies are introduced to the viewer. The Bringloidi aspire to a simpler life and
they resemble rural farmers from the nineteenth century. Their sexual behavior is portrayed as close
to nature, for pleasure, and reproduction.
They are guided by social conventions conforming to the community’s
ideal of a simpler life. The Mariposa
community has a historical lineage based on cloning. Their need for sexual contact diminished
where they no longer engaged in sexual acts.
Rubin argues against the traditional notion that sexual behavior is
primarily biological. She presents the
idea that historical practices and social codes encourage certain forms of
sexual behavior (2368). She anchors her
argument with Michel Foucault’s notion, “Sexuality in Western societies has
been structured within an extremely punitive social framework, and has been
subjected to very real formal and informal controls” (2387). Rubin’s writing clearly illustrates how
social ideology formed the sexual attitudes in both colonies. Additionally, Foucault speaks to enforcement
of the attitudes through shared cultural values promoted by the dominant view.
Rubin
describes that various sex acts form sexual hierarchies (2388). Further, opposite notions are paired against
what is considered good and what is considered bad. Good is represented as upward mobility,
opportunity, and prestige. Bad is
associated with lower economic status, degeneracy and repugnance (2388). The Bringloidi are heterosexual and they are
portrayed as lower class, uneducated, boisterous, dirty, and attached to their
vices. The Mariposa are asexual and
portrayed as highly intelligent, clean, proper and sophisticated. The outward appearance of the Mariposa
suggests their sexual behavior is advantageous, and the Bringloidi’s physical
copulations are disadvantageous. A
hierarchy based on sexual behavior is formed and implies social rewards for the
Mariposa colony and assigns social limitations and stigmas to the Bringloidis.
The two
colonies form a compromise where the Mariposians will physically mate with
Bringloidians. It is discussed and agreed,
by the dominant view, that heterosexual intercourse will naturally instill
itself into the Mariposians. The
compromise reflects the notion that sexual behavior is biological. Rubin writes, “Whenever there is
polarization, there’s an unhappy tendency to think the truth lies somewhere in
between” (2396). This notion accurately
depicts the proposed solution. In this
case, most heterosexual viewers would support the solution as it is a
projection of their own sexual desires.
However, people who are homosexual or transgendered might concur with
Rubin that the solution is doomed because it is not reasonable to think someone
can magically change their sexuality.
Although a polite ending, the compromise is based on Western ideology of
sexual behavior and not on Rubin’s notion of using empirical evidence or
thoughtful understanding (2385).
Compromises
are a part of life and people understand that involved parties usually have to
give a little to resolve differences.
However, this episode, as interpreted by Rubin, demonstrates prevailing
Western ideology and misses the mark with the expectation that an entire
population should change their sexuality.
Rubin affirms that sexuality does not lend itself to compromise. However, it should be noted that the show’s creator,
Gene Roddenberry, was optimistic of a bright future encompassing equality for
all. There is little doubt the ending
would have changed if Roddenberry had a copy of Gayle Rubin’s writing sitting
in his lap.
Works Cited
Rubin, Gayle. “Thinking Sex: Notes for
a Radical Theory of Politics of Sexuality.” The
Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. 2nd ed. New York: W.W.Norton &
Co., 2010. 2372-2402. Print.
“Up the Long Ladder.” Star Trek: the Next Generation. Paramount Pictures. May 22nd,
1989. Television.
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