Sigmund Freud
1.
From Interpretation of Dreams
a.
Falling
in love with one parent and hating the other is a significant cause of neurosis
in kids. 814.
b.
This
notion is affirmed by the power of Oedipus Rex.
i. Oedipus unknowingly kills his father and
impregnates his mother.
ii. People respond to the play as strongly
today as when it was first performed.
iii. The potency of Oedipus Rex is the desire
to:
1.
Kill
one parent and mate the other, or
2.
Suppress
the desire to do so.
iv. Freud speculates the theme for Oedipus
Rex generated from the dream material of a child approaching adolescence.
c.
Hamlet
has similar, but altered theme.
i. The wish is repressed in Hamlet, and
brought to action in Oedipus Rex.
ii. Hamlet is unable to take vengeance on the
man who killed his father and took his mom’s place.
1.
It
shows repressed wishes from his childhood.
2.
Hamlets
self-loathing becomes self-reproach.
3.
This
is a transition from unconscious thoughts to conscious thoughts.
d.
The
major point is that creative writings are more than what they seem and open to
more than one interpretation.
2.
The
Dream Work
a.
Attempts
at dream interpretation occur in the context of the waking or conscious mind.
b.
The
focus should be on how the content relates to latent dream thought.
c.
Dream
thought and dream content tell the same stories, just in different
presentations.
d.
It
can be thought of:
i. Dream content is the transcript.
ii. Dream thought is the expression.
iii. More specifically, dream content is a
transcript of dream thought.
e.
Dreams
need to be interpreted through symbols of the dream images.
f.
Dreams
are puzzles of images.
3.
Dreams are immensely compressed.
4.
The
process of dream-work creation is the fusion of:
a.
Stripping
high value elements of significance,
b.
Over
exaggerating lower values, that
c.
Create
new values.
d.
Effectively
transferring physical intensities that is known as dream displacement.
5.
Dream
displacement and dream condensing are the governing factors of dreams.
6.
Dreams
are unable to express conjunctions or causal relationships.
a.
Dreams
function like a photograph.
i. Elements displayed together form a
relationship between the objects and in time.
ii. Causal relationships are achieved through
sequencing of the images.
1.
The
primary message is first with meaning added on through more images.
b.
Dreams
are unable to express no or either.
c.
Dreams
are free to do as they wish.
7.
From
“Fetishism”
a.
Fetishes
are not normally associated as a symptom of other conditions.
b.
Fetishes
are the substitute for the mother’s penis that the little boy wanted to believe
in, and they serve as a form of protection from casteration.
c.
Normally
the substitute is given up, but for some it continues.
d.
Freud
suggested that the fetish is associated with something near the boy when he
discovered his mom had no penis. Feet,
legs, underwear, and hosiery are examples.
Works Cited
Freud, Sigmund. “Fetishism.” The
Norton Anthology of Theory and Criticism.
Ed. Vincent B. Leitch et al. 2nd
ed. New York: W.W.Norton & Co., 2010. 841-845. Print.
---, Sigmund. The Interpretation of Dreams.
The Norton Anthology of Theory and
Criticism. Ed. Vincent B. Leitch et
al. 2nd ed. New York:
W.W.Norton & Co., 2010. 814-824. Print.
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