Helene Cixous
1.
“The
Laugh of Medusa”
a.
Women
must write her self and write about women and bring women to writing.
b.
We
are breaking away from old paradigms.
i. There are no guides for women.
c.
Woman
is identified as the shared experience against the repression of men and of the
universal women who needs to provide common sense to all women.
d.
Woman’s
imaginary is endless.
e.
Men
have mobilized women’s own immense strength against themselves.
f.
It’s
time for women to liberate themselves.
g.
Women
must write for themself as expressing their thoughts will free them.
i. Individually, woman will return to the
body which has been confiscated from her.
She will be expressed as more than bad or good.
ii. It will give women the opportunity to
speak.
1.
Women
have traditionally been suppressed.
2.
Speaking
forms a new place other than silence.
iii. There will be resistance from men.
iv. Ignorance from both sexes is what
prevents the distinction of the feminine and masculine writing.
h.
The
analogy that the Dark Continent is neither dark nor unexplorable. It is only so because people have been made
to believe it such.
i. The same analogy can be applied to female
writers.
i.
The
two unrepresentable things are death and the feminine.
i. They (men) need femininity to be
associated with death. Suggests men need
to be afraid of women.
j.
Women
have been associated with their body in literature, and men with success.
k.
Men
tend to center their thoughts and ego around their penis.
i. Women have desires but they are more
expansive then a singular area of pleasure.
This gives women the ability to write to levels men cannot.
l.
Women
should not fear men, nor succumb to their ways to induce women writers back
into repression.
m.
Change
is happening and women are becoming engaged.
Works
Cited
Cixous, Helene. “The Laugh of Medusa.” The Norton Anthology of Theory and
Criticism. Ed. Vincent B. Leitch et
al. 2nd ed. New York:
W.W.Norton & Co., 2010. 1938-1960.
Print.
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