Interpretation
of David Hume’s, “Of the Standard of
Taste.”
Throughout
the world, there are differences in taste and people have the tendency to
consider things inferior if they do conform to their established views. Differences in taste are “greater in reality
than in appearance.” Language, through
all cultures, has words that praise and words that blame. These words have shared meaning in a general
sense, but tend to take on individualistic meaning when used in particular
situations. The words mean more in
reality, or personal situations, than they do in appearance, as abstract concepts
without application.
People
tend to interpret the world through their own languages and attitudes. Poems tend to praise the virtues and blame
the vices. Universally, people across
cultures tend to have similar ideas of virtue and vice. However, upon closer examination, it is found
that there is great diversity in their application. What is considered a virtuous act in one
culture can be interpreted radically different in another. It is natural to seek common rules that
either affirm or reject notions of taste.
There
is a philosophy, attributed to common sense that considers all sentiments are
accurate, as they only refer to themselves.
All judgments are considered wrong as their application always refer to
things beyond themselves. This
philosophy sets forth that all perceptions are valid as the mind forms
relationships between objects and observations.
However, this argument falls apart when comparing similar, but
disproportioned objects, as the degrees of taste become obvious. One object will be clearly being more
tasteful than another.
Although
it is difficult to establish exacting rules of composition for taste, people
can look to the rules of art. A great
work of art generates, “A perfect serenity of mind, a recollection of thought,
[and] a due attention to the object…” The sentiment of art comes from its
“durable admiration,” and can be judged if it has survived “All the changes of
climate, government, religion, and language.”
Admiration deepens the broader a piece is recognized, and the longer it
has endured the test of time.
Universal
notions of beauty are established, as sentiments of beauty have been determined
through the great works and through time.
A mind unable to grasp a known beauty has some defect that prohibits it
from feeling “the proper sentiment of beauty.”
Beauty and deformity are not qualities within objects, but there are
things in objects that naturally inspire them. Delicacy of taste is having refined senses
that can identity, with precision, every part of a work, and has the ability to
speak to each part’s pleasure or displeasure.
It is common for people to judge things without knowledge or
understanding. It sometimes takes a
person with a delicacy of taste to reveal a beauty, and the best model for
education is through “uniform consent and experience of nations and ages.”
The
people best suited to judge beauty are those who have developed the practice of
discerning beauty. The judge needs to
free their mind from prejudices, view the work from different perspectives, and
be able to compare and contrast the work with other pieces in order to
determine degrees of excellence. Someone
who has not compared or understands the different types of beauty is not
qualified to judge or pronounce and opinion.
Few people are qualified to judge
as they have not acquired delicacy of taste.
The absence of a refined palette means the judge is unable to identify
and understand the nuances of a piece.
Judges can be found through social consensus based on their soundness of
interpretations and understanding.
There
are two sorts of taste that cannot be reconciled. The first is culture in our age, and the
second is humor. Rather simply, it is
difficult to get past what we believe and individual preferences.
There
are differences between the ages. Some differences
are acceptable, and some are not.
Differences in mannerisms and beliefs are acceptable as they do not
interfere with our beliefs. However,
differences in moral principles are not excusable. It is too far a leap for people to accept
morality that is vastly different from their own. Religion is excusable as it surpasses the
mundane, and it relates to theological concepts forged above “the cognizance of
human understanding.”
PD 1923
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